He Danced His Way Out Of A South African Township, And Now He’s Helping Others To Do The Same

Dane Hurst, a star of the British contemporary company Rambert, bought the sprung dance floor from the company’s old studio when it moved, shipped it home to Port Elizabeth, and asked an architect to design a dance studio made out of shipping containers – where he’ll be teaching other young people from his home township professional-level dance skills.

‘It’s Gorgeous, Just Gorgeous’ – An Operatic ‘Hamlet’ From The Age Of Verdi Resurfaces

Amleto by Franco Faccio (1840-91) had a disastrous 1871 La Scala premiere … [and] the composer never again allowed the opera to be performed … The librettist was young Arrigo Boito (1842-1918), known as one of the great librettists in opera history for his later collaborations with Verdi on Otello and Falstaff. … And the singers and the creative team [for a new revival] say this operatic Hamlet needs no apologies.”

Backstage With Ballet’s Most Explosive Couple, Sergei Polunin And Natalia Osipova

“‘I’d heard about his reputation, everyone in our world knew about it. People said he wasn’t very responsible, that he ran away. So at first I thought I would never dance with him.’ As Natalia Osipova glances at Sergei Polunin, sitting protectively beside her, the ballerina’s pale, guarded face brightens with sudden laughter – the dancer, with whom she swore never to share a stage is now the man with whom she’s currently sharing her life.”

Where Did All Of Britain’s Working-Class Actors (And Stories) Go?

“There’s now evidence of an inequality that runs like a seam through the entire profession and which goes far beyond the anecdotal. This year, academics from the London School of Economics and Goldsmiths College, in a peer-reviewed study, found that only 27% of actors come from a working-class background and that the profession is ‘heavily skewed towards the privileged.'”

More Protests At The Brooklyn Museum

“Organized by the Decolonial Cultural Front and Movement to Protect the People, the catalysts for the protests were a photography exhibition focusing Israel/Palestine, called This Place, as well as ongoing conflict with the museum’s director, Anne Pasternak, who many say has downplayed issues raised by artists in the Agitprop! exhibition regarding last fall’s real estate summit at the museum.”