A Photojournalist Killed In Libya Left Behind Tender Portraits Of Soldiers At Play

Tim Hetherington, killed on assignment in 2011, “abhorred violence, but he took it upon himself to explore the subject of war on the front lines, alongside soldiers in Liberia, Afghanistan, and Libya. While embedded in Afghanistan on assignment for Vanity Fair (for which he won the 2007 World Press Photo of the Year), Hetherington came to understand war as a function of male sexuality.”

The Turner Prizewinner Who’s Using Her Fame And Fortune To Help Others Up The Ladder

Lubaina Himid won the prize in 2017 and has shows planned all over Europe this year. “All were programmed before the prize was announced, but Ms. Himid is now using her enhanced clout to request that galleries showing her work reach out to black artists living and working nearby and include them in events like talks and debates that run with the exhibitions. If curators say there are no black artists working in their region, as Ms. Himid said they often do, she provides them with names drawn from an extensive network she has built up over many years.”

Changing Up The ‘History’ Part Of Art History In Museums To Mix Old, New, And Whatever Else Fits

The museum buzzword is “transhistorical,” and it’s being applied to everything from Franz Hals paintings to the Met’s big “Unfinished” exhibition from 2016. “Suzanne Sanders, an art historian in Amsterdam, who organized conferences on ‘The Transhistorical Museum’ in 2015 and 2016, calls transhistorical curating ‘the most urgent thing curators are doing in trying to reinvent the museum to create some sort of new paradigm.'”

Troubled Los Angeles Gallery CB1 To Close After Artists Say They Weren’t Paid

CB1 will close when the current show closes, after claiming they were having cash-flow problems. “Those cash-flow issues are what prompted a group of artists to publish an open letter alleging that CB1 Gallery had ‘consistently failed’ to pay artists according to the terms of its contracts, wrote checks that bounced and repeatedly sold work without informing them.”

In A Florid Suit, Collector Sues Jeff Koons For Not Delivering

In the 53-page complaint that includes lines that reference Shakespeare (“Something is rotten in the state of Denmark”) and that are almost Dickensian, New York litigator Aaron Richard Golub charges, “Behind the ostensible façade of Jeff Koons’ art world triumphs and record-breaking auction prices . . . lurks a well-oiled machine, more specifically an established, archaic System as old as the hills applied to the art world to exploit art collectors’ desire to own Jeff Koons sculptures.

A New Boom In Ceramic Art

Call them potters, ceramicists, or clay sculptors, but there are getting to be more of them, amateur and professional – and their work is fetching higher prices. Reporter Amy Fleming looks at how the trend has developed and the reasons for it.

The Difficult Birth Of The Tate Modern

“The Tate briefly flirted with the idea of splitting in two and setting up an entirely separate Museum of Modern Art, inspired by the success of MoMA in New York. This was in the early 1990s, before the gallery decided to remain a single institution with two London venues: Tate Britain and Tate Modern. The behind-the-scenes efforts of Nicholas Serota, the Tate’s director from 1988 and 2017, to create Tate Modern are revealed in the gallery’s trustee minutes for 1991-92.”