Category: visual

The about-to-open Tate Modern is negotiating with San Francisco entrepreneur Kent Logan who may be “about to give part of his £100 million art collection – one of the world’s largest in private hands – to the new museum. – The Guardian

London’s new Tate Modern opens next week. “From the Georges Pompidou Center in Paris to the Guggenheim Museum Bilbao in Spain, examples of museums promoting urban renewal are plentiful. But for the Tate this angle proved a useful marketing tool. Having picked the site for an annex, museum officials needed to raise $214 million to convert the abandoned power plant. And they understood that a museum that promised economic and social benefits to the city would be an easier sell than art for art’s sake.” – New York Times

British archaeologists have found evidence that  suggests humans were producing art 350,000 to 400,000 years ago. The evidence – found in a cave in Zambia – suggests the area’s Stone Age inhabitants were producing painted art before they evolved into our species. – The Independent (UK)

On Saturday Germany and Russia met in St. Petersburg to swap art they had stolen from one another during World War II. “In exchange for the intricately inlaid chest and glistening mosaic from Peter the Great’s famed Amber Room, Russia has agreed to return 101 artworks looted from Germany by Soviet troops after World War II. A Russian law largely bans repatriating booty art, seen by Russians as compensation for an estimated several hundred thousand items destroyed or lost during the Nazi occupation.” – Chicago Tribune

London’s Royal Academy show of Monet last year raked in the visitors, making it the eighth most-visited attraction in the UK. Visitor numbers at the RA leapt from 912,714 in 1998 to 1.39m last year, boosting the academy from 19th to eighth place. But before anyone gets too excited, consider that Madame Tussaud’s at No. 2 on the list logged more than twice as many visitors. – BBC

Modern London is bursting with museum openings this year. “There is a tremendous on-rush. Wherever you look, there are things happening,” said Richard Cork, art critic for the Times of London. “It is incredibly important, particularly the Tate Modern. At last we’ve got the full-fledged museum of modern art in this country that we’ve needed for 50 years. Finally, Britain is taking modern art seriously.” – Los Angeles Times

The UK’s Secretary of State for Northern Ireland, is blocking plans for a peace sculpture made of decommissioned weapons to be erected in Belfast. Richard Branson has commissioned a £50,000 work from 97-year-old Josefina de Vasconcellos, the world’s oldest living sculptor. “The idea of the sculpture has been widely welcomed by politicians in Northern Ireland. However, the proposal to make the new work from decommissioned weapons is causing disquiet at the Northern Ireland Office.” – The Independent (UK)

New York’s Museum of Modern Art is trying to catch up with its name. On the eve of a major expansion it’s taking a look at its own collections with a sharpened eye. “It’s a chance for a monumental institution, one with a reputation for having a glacial metabolism when it comes to change, to rethink the modern-art tradition that it helped to invent, and to consider its own identity in what is often called a postmodern world.”  – New York Times

A decade after a federal law gave Native American tribes the right to reclaim human remains and sacred artifacts from museums, less than 10 percent of the human remains believed to be in the custody of federal agencies, museums and universities have been returned to tribes. – Chicago Tribune

Jacques Herzog and Pierre de Meuron are architecture stars of the moment with this month’s opening of London’s new Tate Modern. “All famous architects have mighty egos, and Herzog is unusual only in the openness with which he displays his. If he weren’t brilliant he would be insufferable, but it isn’t unduly flattering to say that he is brilliant. His immodesty is also redeemed by a talent for collaboration with others, most notably his childhood friend and business partner de Meuron. Both are turning 50 this year. They are young – in the slow-moving world of architecture – to have got to their present status.” – London Evening Standard