Tintoretto’s ‘Nativity’ Began As A Crucifixion, X-Ray Shows

Jacopo Tintoretto’s awkward “Nativity,” at Boston’s Museum of Fine Arts, has been hiding something. “In the Renaissance equivalent of a cut-and-paste job, it appears that Tintoretto changed his mind about the subject, cut the original canvas to rearrange the pieces he didn’t like, then – perhaps two decades later – painted over parts of the result to come up with an entirely new composition. The painting that is now a horizontal nativity was once a vertical crucifixion.”

National Academy Museum Is At The Financial Precipice

“The 183-year-old academy, a museum and school that played a pathbreaking role in fostering a New York art scene in the 19th century, is in serious trouble. Having sold two important Hudson River School paintings from its collection this month to pay bills, the institution was recently branded a pariah by the Association of Art Museum Directors.” Artist members have rejected the notion of selling the academy’s Fifth Avenue museum and other properties.

In A New Atmosphere, Chanel Mobile Art Is Asphyxiated

“Ahead of its scheduled visit to London, Chanel has cancelled its travelling Mobile Art tour, the fashion house announced over the weekend. Karl Lagerfeld’s ambitious art-meets-luxury project sees twenty artworks based on Chanel’s iconic 2.55 quilted handbag … displayed in a Space Age-inspired structure created by Zaha Hadid, which is currently in situ in New York’s Central Park.”

Could The Financial Crash Be Good For Art?

“In politics [in 2008] the old order was voted out. In the art world money is running out. Auctions are iffy. Galleries are closing. Museums are in slash-back mode. So 2009 could be 1989 all over again. Important to remember: The last crash opened the art world’s tightly guarded gates to a wave of upstart talent and radical new ways of thinking. That was great. It could happen again.”