Broadway’s New Theatre

The Roundabout Theatre is reopening the 89-year-old Henry Miller’s Theater, a stamp of old Broadway on 43rd Street that will be “surrounded by the glass modernity of the new 54-story tall Bank of America Tower. The Roundabout Theater Company is in the final stages of negotiations for a 20-year lease with the Durst Organization and Bank of America, the owners of the theater, which will have around 1,000 seats.”

Making An Epic Fit The Stage

The stage version of Lord of the Rings, which had a fairly short and unsuccessful run in Toronto last summer, is headed to London, and producers are hoping that a number of changes will put the hugely expensive show on the right track. “Gone are the long speeches, some minor characters and one intermission. It has been trimmed, crucially, to three hours, a length designed to test neither patience nor posteriors.”

Mission Of “Radio Golf”: Find Black B’way Audience

“When August Wilson’s ‘Radio Golf’ opens tonight on Broadway in a $2-million production, investors won’t be relying solely on rave reviews to fill the Cort Theater’s 1,000 seats. In an unusually aggressive move, the producers hired five marketing firms to promote the show about an African American businessman who wants to run for mayor of Pittsburgh.” Wilson’s “plays have had mixed success on Broadway, whose nickname, the Great White Way, can sometimes be taken too literally.”

“In The Heights” A Surprise (Tie) Winner At Lortels

“‘Spring Awakening’ and ‘In the Heights’ tied for best musical last night at the 22nd annual Lucille Lortel Awards for outstanding achievement in Off Broadway theater. … The Lortel Awards, administered by the League of Off Broadway Theaters and Producers with the Lucille Lortel Foundation, named David Hare’s ‘Stuff Happens,’ a scathing satire about the Bush administration that was produced at the Public Theater, as the best play of the season.”

The Theatrical Plagiarist

“Since 1999, Jack L. Herman has been acquiring the scripts of Canadian plays, putting his own name on them, claiming copyright over them, and sometimes staging his own productions at his amateur theatre company, as well as authorizing productions of the stolen plays by other companies.”

“Color-Blind” Casting In A Two Way Street

“For most white actors today, roles of color — from the classics to some of the sensational writing that is currently being done for the theater — are not even an option for them, and I’m not sure why. For a time this idea was given the name ‘color-blind’ casting, but the only thing it seemed to be blind to was the fact that it wasn’t a two-way street; it was obviously designed to provide opportunity for minorities rather than put the best person in a role, regardless of color. I suppose this is the notion of equal opportunity rearing its fearsome head again — and if it is, can we stop using the word ‘equal’ in that phrase?”