Vancouver’s New Populist Theatre Chief

“Max Reimer, new artistic managing director of the Vancouver Playhouse, is taking on one of the most important jobs in Western Canadian theatre… If there are concerns about Reimer, they centre on a worry that quality could be sacrificed for popularity in his drive to increase box office. Reimer is aware of the criticism, but he rejects it.”

Orlando GLBT Theatre Fest In Trouble

“Plans for a new gay-and-lesbian theater festival in Orlando have run aground because of accusations that chief organizer” improperly used funds from a charity fundraiser. The fest’s director, who was actually in jail on a parole violation on the night of the fundraiser, is accused of pocketing the money raised for a national AIDS charity, and resigned his post earlier this week.

Getting Serious In The West End (A Serious Play In A Sea Of Musicals)

“How, in a commercial theatre culture that is increasingly reliant on musicals, do you get your adaptation into the West End and convince your target audiences that Shaftesbury Avenue – a thoroughfare that often, theatrically speaking, could be called the Street of Shame – is now the coolest of drags where it’s worth braving the civic squalor for bold experimentation?”

What A New Mark Taper Means To LA Theatre

“The house that Gordon Davidson built to showcase bold American playwriting is still Los Angeles’ flagship theater. At once intimate and substantial, the Taper (now led by Center Theatre Group artistic director Michael Ritchie) has long been one of the most respected platforms for drama in the country. But the refurbished Taper is a reminder that it’s not simply architectural majesty and attention-grabbing world premieres that give a theater its distinctive identity.”

Getty Villa’s Neighbors Hit Back Against Noise

“As it has done each September since 2006, when it reopened after a $275 million expansion, the Getty Villa is using its newly constructed 450-seat outdoor theater to revive a genre of work rarely seen on American stages.” But an ongoing dispute between the Getty and some of the Villa’s neighbors saw one performance nearly ruined by a radio intentionally blasting from a nearby house.