What Will Broadway Look Like Next Year?

“While everyone suspects that there might be a handful of empty Broadway theaters in the spring, at the moment the big theaters are still largely booked, and most nonprofits have finished their fund-raising for this fiscal year. More significant, though, is what happens when the next fall season comes round. Those in the industry wonder not only about empty theaters, but also about the effect on the stream of creative work.”

Restoring Chekhov’s Dacha (Not Just Wallpaper, Please!)

The Yalta dacha where Chekhov wrote “Three Sisters” and “The Cherry Orchard” is plagued by mold and a leaky roof. A campaign to save it is under way, sans state aid. As the head of the campaign explained, “The Russian government didn’t want to fund the restoration because the house is in Ukraine, and the Ukrainian government didn’t want to pay to promote a Russian author.”

Why We Need More Political Diversity In Theatre

“There is an obvious paucity of right-leaning voices in theater. There are many reasons for this, but it is to the detriment, I believe, of the community as a whole. My own political posture leans distinctly to the left. But we will not, in the long run, benefit from casting out all those whose opinions offend us. And there are sure to be many tests of tolerance ahead.”

Why Making A Living As An Actor In Seattle Isn’t Possible

“The institutions have grown large, metastasized, at the expense of the actors, the designers – the artists. The weekly acting salary at the big Seattle theatres was between $700 and $900 back in the early nineties. The price range for acting at the big theatres in 2008 is . . . between $700 and $900. It hasn’t changed in over fifteen years!”

Billy Boosts Broadway

Billy Elliot, which tells the story of a boy from a working-class city in England who wants to be a ballet dancer, is shaping up to be the one bright spot on an otherwise gloomy-looking Broadway, where shows are crashing with the speed of emerging markets in Southeast Asia.”