Wait, Isn’t That Backwards? Ivo Van Hove’s Line In Screen-To-Stage Adaptations

The director of Amsterdam’s top theater company – known in New York for his daring stagings of A Streetcar Named Desire, Hedda Gabler and The Misanthrope – is making a specialty of producing great screenplays as live theater. Sure, we’ve seen it for years on Broadway with musicals (The Producers, Hairspray, The Lion King, Xanadu and so on and on and on), but van Hove stages such art-film classics as the Cassavetes scripts Faces and Opening Night, Visconti’s Rocco and His Brothers, and Bergman’s Cries and Whispers.

When Playwrights Can’t Let Go Of The Script

“Eugene O’Neill rewrote compulsively; Bertolt Brecht published three alarmingly different versions of Galileo; and Leonard Bernstein’s musical Candide burned through three book writers and lyricists (Dorothy Parker and James Agee among them). … Instead of inventing an entirely new work, playwrights instead reduce, reuse and recycle. But is this really good for the theatrical environment?”

Troubled B’way Courts Audience Via Thanksgiving Parade

“Broadway went from ‘In the Heights’ to ‘Under the Sea’ in front of the entrance of Macy’s in New York, as the city’s beleaguered theater industry sought to sell itself to a national audience. After a grim two months in which 11 Broadway shows closed or announced their intention to close, producers looked to Macy’s Thanksgiving Day Parade to jumpstart the survivors.”

Donmar Warehouse Dominates London’s Evening Standard Theatre Awards

The little powerhouse took three big prizes: Best Director – Michael Grandage for Ivanov, Othello and The Chalk Garden; Best Actress – Margaret Tyzack and Penelope Wilton, jointly, for The Chalk Garden; and Best Actor – Chiwetel Ejiofor, beating out Kevin Spacey, Alan Rickman, Kenneth Branagh and Simon Russell Beale with his performance as Othello. Spacey received a special award for his work as director of London’s Old Vic.