Minnesota Gets Kushner-Mania

“Tony Kushner is revered in the theater world and has been anointed a Great American Playwright. But despite a career that has in recent years expanded into screenwriting, his name is not as familiar as past Goliaths of the nation’s theater such as Tennessee Williams and Arthur Miller or, more recently, Edward Albee, David Mamet or the late August Wilson.”

Co-Productions, Taken To The Next Level

“Co-productions between nonprofit theaters, whether crosstown or cross-country, are becoming ubiquitous … But three Off-Off-Broadway groups are taking the idea to a new level. They’re not only sharing resources and expenses to mount three new plays in a four-week repertory; they’re relinquishing their identities in the process.” Is this a good idea?

Selling A Trilogy: No, You Don’t Have To See All Three

“Despite a raft of positive reviews and seven Tony Award nominations, this spring’s Broadway revival of ‘The Norman Conquests’ — Alan Ayckbourn’s trilogy of interconnected comic plays — has proved to be one of the biggest business challenges of the season, starting with deep losses at the box office that have only just begun to turn around. The plot is like a puzzle, and so too has been the challenge of marketing the show to theatergoers.”

Best-Show Tonys Honor Producers, Not Writers. Why?

“[M]any theater people are increasingly concerned that writers, especially writers of nonmusical plays, are getting the bum’s rush at the Tonys. ‘Why doesn’t the playwright accept the award by himself?’ wonders composer and lyricist Maury Yeston…. ‘The bookwriter does, the lyricist does, the orchestrator does, even the person who runs the sound system does.'” But when the Tonys for best play and musical are announced, the stage is swarmed with producers.