Neil Simon, King Of Comedy

“There have been comic playwrights who were more daring (George Kelly), more witty (S. N. Behrman), more rebarbative (S. J. Perelman), and more up-to-the-minute (George S. Kaufman and Moss Hart), but no playwright in Broadway’s long and raucous history has so dominated the boulevard as the softly astringent Simon.”

Class Warfare Moves To Britain’s Stages

“At the moment, the battle is being waged in a most entertaining fashion on two of London’s stages: In Sloane Square, where the hair and hedges seem to be cut daily with manicure scissors, the Royal Court Theatre has a huge hit with Posh, Laura Wade’s new play about aristocratic bully boys whose capacity for moaning over the lost land of privilege is outstripped only by their capacity for drink.”

London’s Menier Chocolate Factory Becomes Hit Factory

The “160-seat theater-cum-restaurant in an unfashionable London district” now regularly exports productions to the West End (eight of them, including revivals of Sunday in the Park With George and Sweet Charity) and Broadway (the current Little Night Music with Catherine Zeta-Jones and Angela Lansbury and La Cage aux Folles starring Kelsey Grammer).

David Ives On His ‘Translaptation’ Of Corneille

The playwright, whose version of “The Liar” is having its world premiere at Washington’s Shakespeare Theatre, says he was “handed a gorgeous, intricate plot with extraordinary comic turns. And so all I had to do really in taking this was turn it up to 11 and increase the dials and increase the comic turns.” But, you know, in rhyming couplets.