‘There Are Good Reasons Why Critics Occupy the Best Seats’

Michael Billington: “The most basic is that we are there to work. If we are doing an overnight review, we need an aisle seat to get out quickly. Even something as simple as the overspill of light from the stage helps if one is making notes. … [A play is] more likely to get a considered review if the critic is not hampered by acoustic or sightline problems.”

Enormous Changes at the Next-to-Last Minute for Women on the Verge

“With opening night (and performances for the critics) fast approaching, the creators of the new Broadway musical Women on the Verge of a Nervous Breakdown [have] added several changes … most noticeably a new number at the top of the show that had been the Act II opener.” The creative team has still not settled on the show’s finale.

The Importance of Angels in America: Playwrights Speak

Sarah Ruhl: “Tony Kushner made people feel that going to the theater was a way of engaging in this incredible aesthetic, political, civic, historical event.” Lisa Kron: “Angels put us at the center of the intellectual universe as gay people.” Doug Wright: “What Tony did was write a play where being gay was a metaphor for the whole human experience.”