The Brits Figure Out That Chekhov Is Funny

“Since his death in 1904, the Russian has certainly ascended to the pantheon of great writers, but he would be dismayed to see that his plays are still widely thought of as forbidding chronicles of human misery. Yet now, 150 years after his birth, a group of comedians, including Steve Coogan and Johnny Vegas, are appearing in productions of his short comedies – to prove Chekhov can be funny after all.”

A Business Writer Loses It for Sondheim

Joe Nocera: “When I fall for something, I fall hard. Yet I don’t think I’ve ever fallen as hard for anything as I did for Mr. Sondheim’s music. His songs and shows became central to my life … My former wife once asked me what it was about Mr. Sondheim’s music that I found so compelling. I shrugged helplessly. ‘He makes me cry,’ I finally replied.”

What Makes Theater Folk Keep Riffing on Chekhov?

“There’s a Trinidadian Three Sisters, a Liverpudlian Three Sisters, … Uncle Vanya has visited North Wales and Australia, and in Drowning Crow, The Seagull plays out in the black artistic community of South Carolina … Other plays have wondered how Arkadina reacted to her son’s suicide and how the sisters would actually fare if they ever got to Moscow. … What hubristic impulse is it that draws us to rewrite this man and his work?”