Musicals Need Less Big Spectacle, More Small-Scale Daring

“It’s not the public’s fault that we haven’t had a musical as shockingly pertinent as, say, West Side Story for so long. … But orchestras, chorus lines and dancers are now almost solely the domain of the Webber-style spectacle; put simply, nobody else can afford them. New productions by smaller theatres must depend instead on actor-musicians and a fair amount of inventiveness.”

Expressionist Theatre Is Alive and Well in London

Michael Billington: “‘Expressionist’ is one of those handy terms that we critics use rather promiscuously. … Now it is widely applied to anything that is non-realistic. But, however randomly deployed, it has its value. And what is striking is how applicable it is to much of today’s theatre. In the past week I have seen three productions that all, in different ways, could be labelled expressionist.”