The Vexed Relationship Between Theatre And Disease

Alexis Soloski, who wrote a dissertation on the subject, reminds us that playwrights from Sophocles through Shaw to Kushner and Kramer have grappled with the subject. “It’s only a matter of time before the first COVID-19 plays emerge, and we can … be nudged toward compassion for the afflicted, be constituted as a community of support. Because that’s what theater can do: It can ask us to think and feel beyond the confines of our own experience and find fellow-feeling, immediately and intimately, with those around us.” – The New York Times

Actors’ Equity Mounts A Letter-Writing Campaign For Laid-Off Workers

Here’s part of the letter (note: not a lot of actors are “middle-class” either) for the campaign as shared in tweets on Sunday: “Now is the time for Congress and local governments to put workers first to ensure that everyone who works in the arts and entertainment sector has access to emergency paid leave, health care and unemployment benefits. Payroll tax cuts won’t help those whose theaters are now dark. For every middle-class actor you see onstage, there are dozens more working behind the scenes and in an administrative capacity.” – Los Angeles Times

Some Theatres Have Hired Film Crews Quickly So ‘All That Work Wouldn’t Be Lost’ To The Shutdown

At Signature Theatre in Arlington, Va., the staff hired a crew to film a new play whose run was supposed to last until March 29 – and the theatre is shut until March 30. The idea is not 100 percent figured out yet, and there are definitely Equity and other union issues to discuss, but … “The theater decided it might be able to show the play to patrons still holding tickets by giving them special access to the film online. … Many companies, like Signature, are asking people to donate the cost of those unused tickets to help defray expenses at an uncertain juncture.” – The Washington Post

All Nine Members Of British Equity’s Minority Committee Resign

First came the comments from actor Lawrence Fox; then came the tweets labeling him “a disgrace” after his appearance on the show Question Time; then came Equity’s official apology for the tweets and removal of the tweets; and then came the mass resignations. Former chair Daniel York Loh: “It’s always felt more like a box-ticking exercise than anything else and our committee is there to look good in photos without really raising any serious or difficult issues (though of course we have, time and time again). Now Equity does not have a minority ethnic members or race equality committee.” – The Stage (UK)

In Which ‘The Atlantic’ Argues That Theatre Shutdowns Could Be Good For Plays

Shakespeare apparently wrote King Lear while the Globe was shuttered because of the bubonic plague (a trope that echoed heavily on Twitter over the weekend). Then there’s the economic opportunity: “Given that the bubonic plague particularly decimated young populations, it may also have wiped out Shakespeare’s theatrical rivals—companies of boy actors who dominated the early-17th-century stage, and could often get away with more satiric, politically dicey productions than their older competitors. Shakespeare’s company took over the indoor Blackfriars Theatre in 1608 after the leading boy company collapsed, and started doing darker, edgier productions, capitalizing on a market share that was newly available.” – The Atlantic