Upright Citizens Brigade, Already Teetering, Dumps Entire Staff By Mass Email

“Last week’s layoffs were just the latest addition to a list of controversial upheavals for the company in recent years, including climbing ticket prices in early 2017, the move from Chelsea to the bigger, less convenient Hell’s Kitchen theater in late 2017, mass layoffs in 2018, shuttering the East Village theater in 2019, and constant debate surrounding its choice to not pay performers. … There’s growing sentiment among many people in the UCB community that even if the theaters return post-coronavirus, they may not.” – Vulture

Our Story Is Not Ended: Chay Yew On His Last, Closed Play And The Future Of Theatre

Yew, who was ending his run as artistic director of Victory Gardens in Chicago: “We will emerge with new stories to tell. We will revisit old tales that give our lives new meaning and sustenance. We will find innovative ways to see and think. We will found new spaces for our stories; they may again be in shuttered storefronts, church basements, or around the fire, as when we first told stories. New homes will be built by a new generation of American artists, and they will be more equitable and inclusive than our current ones.” – American Theatre

What Theatre Can Do For Humanity In The Midst Of This Unprecedented Crisis

First of all, theatre can acknowledge the uncertainty, anxiety, grief, and pain of this time – and the resilience that so many people are bringing right now. “Some theatres … have recorded performances, and many others are doing or considering live streaming. That is a good start. After this crisis passes, we will also need to equip education and community engagement departments with the funds and technology tools needed to make our work more accessible to our communities—the future of our field and our future audiences depend on it. I remain hopeful we can do it. Theatre people are nothing if not resourceful and adaptable.” – American Theatre

Atlanta Is A Majority-Black City. Why Is There So Little Black Theater?

“Though Atlanta’s … bustling professional theaters staged 187 productions last year, only 22 were by playwrights of color.” Jesse Green went there to talk to black actors and directors, and to the directors of two big and largely white theaters, “to see whether a city that has long been a magnet for the black middle class is dealing any better with these matters than New York does — which is to say, not very well.” – The New York Times