Category: theatre

Avoid, please, all metaphors of plays or films as “pinnacles” or “peaks”; treat with absolute scorn the word “definitive”; and if anyone uses the word “masterpiece,” they don’t know what they’re doing. The pursuit of perfection is a mug’s game.

“So how come a show with no press support and a tiny marketing budget (we’ve had some tube posters) found an audience? The answer seems to be social media.”

With the London-based company about to begin a two-year global tour of Hamlet that they hope will include every nation on Earth, Amnesty International has given them a scolding for including Kim Jong Un’s domain on the itinerary. Mark Lawson considers the precedent – the long boycott of apartheid-era South Africa – and whether the situations are comparable.

It was the idea of Sylvester Stallone himself, after the disappointment of the fifth Rocky film in 1990. But nobody took that idea seriously for more than 20 years …

We Will Rock You, “which has been seen by more than 6.5 million people at the cavernous Dominion theatre, will close on 31 May 2014. It will have run for a total of 4,600 performances, with an annual average of 600,000 tickets sold.”

“Our audience is made up of many of the greatest scientists, computer engineers, cooks, urban gardeners, authors, environmentalists in the country, if not the world. They want their experience at the theater to reflect the complexity and thoughtfulness of their daily work.”

Charlie and the Chocolate Factory and Merrily We Roll Along take seven nominations each, while The Book of Mormon, Once and The Scottsboro Boys each get six. Meanwhile, in the best director category, women outnumber men 3-to-1.

Or, as The Atlantic‘s headline-writer so dispassionately puts it, “How Actors Create Emotions: A Problematic Psychology.”

“So exactly how long-running is the Charlottetown Festival production that plays at Confederation Centre in the greater scheme of things? Well, this season, Anne of Green Gables – which features music by Norman Campbell and words by Campbell, Don Harron, Elaine Campbell and Mavor Moore – by will be performed for a 50th consecutive summer in Charlottetown.”

“Ken Russell – about to direct Peter Maxwell Davies’s opera Taverner – tried to tempt him into designing the Royal Opera House production. Jarman got as far as suggesting lighting the auditorium blue instead of blusher pink, costuming the orchestra, and hanging dead cattle up with the chandelier. … Ralph Koltai got the job instead.”