Belarus Free Theatre Shows Londoners What It’s Like To See Plays Under A Dictatorship

The company’s “Staging a Revolution” festival aimed to “introduce British audiences to some of the conditions their compatriots have to endure in order to see shows in Belarus. To achieve this, [the program] was divided into two weeks: during the first seven days, audiences attended shows held in secret, and in the second installment, got the chance to experience shows in a public venue in freer circumstances.”

Glenda Jackson Is Returning To The Stage – In Shakespeare’s Greatest Role For Older Actors

Twenty-five years ago, when Jackson gave up acting for politics, she was considered perhaps the most formidable actress in the English language; after 23 years as a Labour MP, she retired from Parliament last year. She’ll be back on the boards later this year at the Old Vic, with Deborah Warner as director, playing …

The Precise Timing That Makes ‘Kinky Boots’ A Success On Broadway

“There’s a whole world underneath the stage. It’s called a ‘trap room,’ and at the Royal Alex, it’s a tight space for sound gear, change areas and a wig station. The musicians are in the orchestra pit, working to a “click track” rhythm and with in-ear monitors to keep in time with the actions on stage. The sound man and a mixing board are upstairs, at the back of the house, where the volume levels of the actors’ wireless microphones are manipulated constantly, on the fly.”