How The Royal Shakespeare Company Is Using Motion-Capture To Reimagine Shakespeare

“The tools are only interesting when they’re in the hands of artists who do new things with them. So we worked with Imaginarium, who are excruciatingly talented, and gave them these tools and said: ‘What else would you do? How do we make that happen?’ Teaching our team the agility and resourcefulness you need in live theatre has been great. It’s also been great to see the ingenuity of the designer and then rise to that, and think about how they can do their work.”

How Are Women Doing (On Stage, That Is)?

With a battle on several fronts – get more women on stage; make sure their characters are real, not caricatures; get more women into directing, etc. – what is the state of theatre for women characters in general? One playwright: “Probably the best decision every writer can make is to cultivate a loyal group of friends who are much smarter than you, whose feedback you trust, and who will tell you, ‘This is bullshit.'”