For example, Marianna Calbari in Greece: A plethora of crises – economic, social and political – has fuelled the demand for theatre in Greece. In the midst of unparalleled austerity, the country still outstrips every other European nation in the number of theatres it has per capita. For Marianna Calbari, the playwright, director and actor who shot to fame at the height of the country’s crisis, the stage has been a refuge. “All theatre,” she says, “has the power of consolation.”
Category: theatre
With Theatre Reviews Getting Cut Everywhere, How Will New Talent Get Discovered?
Lyn Gardner: “When reviewing space gets tight it is not the shiny, starry mainstream shows in the West End or at the National or the Royal Shakespeare Company that get cut, but the new, the unknown and the innovative.” Especially if those shows are at regional theatres: for a producer, “schlepping across the country and a night in a hotel may be worth it, if reviews by those you trust have alerted you to a company with a great show you haven’t previously heard of.”
Angels In Charlotte: How A North Carolina Theater Fought, Won, And Lost A Culture War Over Tony Kushner’s Play
Another excerpt from the Dan Kois-Isaac Butler oral history The World Only Spins Forward: The Ascent of ‘Angels in America’: here, “actors, administrators, and journalists tell the story of one such theater that went to court to fight a local government that wanted to shut the play down – and won.” (Until, that is, the following year.
Broadway’s Annual Attendance Swoon (New York In February?)
With “Springsteen on Broadway” — and the approximately $2.4 million it brings in every week — on hiatus, overall sales dipped by $2.8 million to $22 million for 24 shows. Attendance slipped by about 20,000 to 191,186, or 83% of the street’s overall capacity. Those numbers were better than the same week last year (when there were 23 shows playing), with attendance up about 15,000 compared to 2017.
Why Actors In Immersive Shows Like ‘Sleep No More’ Need Extra Protection From Assault
“Only recently has a line been added to the show asking audience members to ‘keep a respectful distance’ from the performers. Wouldn’t it be great if we lived in a culture where this nannyish reminder was unnecessary? It would. We don’t.” Alexis Soloski lays out the case.
Women’s Group Wants To Buy West End Theatre, Operate It As Female-Led Arts Space
“The Bossy collective are behind a 15,000-member Facebook group set up in 2016 as a supportive space for women in the creative industries. Now, in the wake of the #MeToo movement and continuing allegations of sexual misconduct in the creative and other industries, the group, has founded a campaign to buy the Theatre Royal Haymarket.”
Actors Who Are Working Parents Suggest That It’s Time For Job Sharing In Professional Theatre
One actor set up a forum to discuss West End job sharing ideas, and it had hundreds of members within days. Actor Caroline Sheen is for it. ‘”Eight shows a week for a year – it’s a lot for any parent,’ says Sheen, who has a five-year-old daughter. She’s a fan of having the alternate scheme extended. ‘To explore these avenues further means people who are parents have more options open to them. … I’ve only been able to take short contracts, because of the parental guilt of leaving her for so long. A job share would make life easier for parents.'”
As The Vagina Monologues Turn 20, Eve Ensler Has A New Play About The Body – And Cancer
As Ensler was helping build a sanctuary for rape survivors in the Democratic Republic of the Congo, she discovered that she had stage 3/4 uterine cancer. After she turned that experience into a memoir, she, and director Diane Paulus, made it into a one-woman play. “Ensler says there’s something very ‘meta’ about re-enacting her own physical pain and spiritual journey for 300 people, eight performances a week.”
Radio Theatre, Coming To An Audiobook App Near You (And Giving Playwrights A Boost)
Audible, the massive audiobook company that’s owned by Amazon, just announced a “first round” of commissions for playwrights including Lauren Gunderson and Leah Winkler. But the plays won’t just be recorded and downloadable: “Audible intends to stage live productions of these plays. Katz likes the idea of limited runs that will allow producers to recruit big-name actors.”
A Broadway Bigwig Gets A Web Series, And Takes On The President
Jordan Roth, whose Jujamcyn Theatres owns five of Broadway’s 41 theatres, and “who has had a longtime interest in performing and has dabbled in video production previously, conceived of this new series months ago, with the idea of developing ‘a kids’ show for adults,’ modeled on ‘Mister Rogers’ Neighborhood’ and ‘Pee-wee’s Playhouse.'” And there’s a lot of swearing – not to mention jokes aimed squarely at the president.