The Sam Mendes Formula

Diretor Sam Mendes has earned cachet for the plays he directed at Donmar Warehouse, the “flashy and successful London theatre” he co-founded a decade ago. He “knows, in his post-Peter Brook way, that the play is not the thing; the star is, no matter how ill-equipped he or she may be for the exigencies of the stage. He knows, too, that the theatre nowadays is to movies what jazz is to pop music: it has a certain cachet, but few prefer it to the populist-minded alternative.”

Reinventing The National Theatre

Nicholas Hytner appears to be reinventing London’s National Theatre. And doing it quickly. Along with cutting ticket prices, he’s trying to expand the National’s tastes. His “particular hope is that by exploring ‘the gaps between what we now call ‘dance’, ‘plays’ and ‘operas’,’ the National can redefine musical drama. ‘Somewhere along the line, “musical” became a dirty word – I want to clean it up’.”

Will Broadway Continue To Employ Live Musicians?

Broadway musicians are getting ready to negotiate for a new contract. The musicians’ union says the negotiation will be about whether theatres continue to use live musicians. “They have made direct statements to me that they are or will be prepared to replace us with mechanical devices. They’re going to walk in with a proposal to eliminate minimums, and behind it will be the threat to replace us should we go on strike.”

A Bold Start

“Hytner’s first season is full of bold thinking. The news that in the biggest of the NT’s three auditoria, the Olivier, two thirds of the ticket prices will be slashed to £10 for six months couldn’t be more welcome. It should attract new audiences, and also let people who already attend do so more often. The theatre will be stripped back to basics, and offer “accessible”, no-frills productions in this epic ampitheatre space.”

The Theatre Fanatic Sisters

The Dalton Sisters are dedicated theatre-goers. They go over and over to the same shows, and even cut back on lunch so they can afford tickets. “Their favourite show by far is ‘Les Miserables’. The Dalton sisters have seen Les Mis more than 500 times. They’ve travelled overseas and interstate to see it, paying $60,000 for the pleasure, watch every performance intently, know all the lines, and notice if they’re delivered differently. Joanne still cries at every session.” A fascinated documentary-maker has made a film of their obsession…

Renewal And Renovation In Ottawa

The National Arts Centre in Ottawa today will kick off a major renovation project for its 900-seat theatre, which plays host to a variety of dance and theatrical productions. The venue has often been overlooked in the NAC’s larger plans, because the centerpiece of the complex, the NAC Orchestra, performs in the larger Southam Hall. The renovation is expected to cost CAN$3 million, $2 million of which must still be raised from patrons and donors, and the project will be completed by 2006.

House Hunting With The Royal Shakespeare

As everyone knows, the Royal Shakespeare Company is looking for a new London home. “Top of its wish list are the Old Vic at Waterloo – a theatre thick with ghosts of RSC glories past – and Andrew Lloyd Webber’s slightly less gilded New London on Drury Lane, home for most of the past 20 years to the composer’s musical cash cow Cats, based on TS Eliot’s poems.”