Pop-Up Theatre Can Change Lives

When Fiona Shaw decided to perform excerpts from T.S. Eliot’s “The Wasteland” in (and near) an empty fountain in Central Park, she didn’t want it announced – and there was only a brief mention on social media. Then word of mouth happened. What’s next? “Taking theatre to the audience in unexpected ways can only serve to evoke interest, and may capture the imagination of those not used to planting themselves in a theatre seat.” – The Stage (UK)

Are Trigger Warnings At Theatres Useful Context Or…

As part of his PhD research on theatre spectatorship at the University of Toronto, Scott Mealey interviews many audience members and says he’s “shocked” by the level of anxiety many of them “seem to feel as they encounter theatre, especially if it seems unfamiliar in some way. The more I talk about it the more stories people offer me.” – Toronto Star

When Actors Smash The Scenery, These Are The Folks Who Clean It Up

Take, for instance, the recent Broadway production of Sam Shepard’s True West and the wreckage Ethan Hawke left behind every show. “How would anyone, save for a skilled team of crime scene cleaners, be able to return this stage to a state of order, especially given the narrow time frame on two-show days? It turns out, as is the case with many things in the theater, the task is more than doable — you just have to rehearse it. A lot.” – The Concourse

Method Actors Lose Themselves In Their Roles. Just What Does That Mean And How Does It Work?

They don’t literally forget who they are, since their actual beliefs and desires remain the same. (Put in terms of the model: their Belief and Desire boxes retain their original contents.) However, fully immersed actors ‘forget themselves’ in the sense that they actively ignore facts about who they are, temporarily subordinating their own thoughts and feelings to those of their character. Actors forget their identities like stoners forget the quadratic formula. The information isn’t gone – just temporarily offline. – Aeon