Category: publishing

“The hype is an enormous psychological pressure on a writer. Not that anyone should weep for a writer who has earned loads of money. But the bottom line is, this is not a healthy thing to have in your head at eight in the morning when you’re trying to write something. It’s just very messy. Even in America you have a better chance of having a basically healthy literary career, at least in the beginning, than you do in England. We’re driven by the celebrity mania that this whole country is sunk in.”

Poetry is popular but poetry doesn’t sell. It doesn’t get reviewed and people don’t buy it. “So the situation for poetry is bleak and not because of an indifferent nation. The fault is in the poets, whose demands for attention have outstripped any possible audience. Perfect. Poetry and poets in America love a state of siege.”

Lolita is nothing if not controversial. Vladimir Nabokov’s “relatives and supporters have rejected a claim that her character was plagiarised from a 1916 novel by a German journalist who went on to support Hitler. Michael Marr, a German literary scholar, suggested that a novella, Lolita, written in 1916 by Heinz von Eschwege, may have provided the foundations for the 1955 Nabokov novel.”

For a fundraiser, leading British authors auctioned off the rights to name characters in their books. “Successful bidders at the third charity auction for victims of torture included a man who paid £1,000 to see his mother’s name appear in the next novel by the Irish writer Maeve Binchy. Another secured a role in books by two authors, bidding £950 for the children’s writer Philip Pullman and £240 for Sue Townsend, the creator of Adrian Mole.”

A newspaper editor had an idea. “In 1966, appalled by the best sellers of Jacqueline Susann and others, he challenged his colleagues at Newsday, where he was a distinguished editor and writer, to perpetrate a book so mindlessly crass it could not fail. ‘There will be an unremitting emphasis on sex. Also, true excellence in writing will be quickly blue-penciled into oblivion’.” The book went on to sell millions of copies, crack the New York Times bestseller list and earn its authors $1.25 million.

The Writers’ Trust of Canada has awarded this year’s prize for political writing to retired Canadian lieutenant-general Roméo Dallaire, for his examination of the 1994 Rwandan genocide, Shake Hands With the Devil. The prize carries a CAN$15,000 cash prize, and is one of the country’s most prestigious literary awards. “Elsewhere, the Griffin Trust, sponsor of the world’s richest prizes for poetry — $80,000 — announced the 2004 nominees,” including Canadian poets Leslie Greentree and Anne Simpson.

After a period when the suburbs seemed to have disappeared from American novels, they seem to be coming back, reimagined by a new generation of writers. The books “suggest that there are important stories still to be found in the land of the split-level and the McMansion, the land where many pollsters, as it happens, believe the next election will be won or lost. These novels and others like them may even tell us a few things the pollsters cannot. They’re also a reminder that the American vision of suburbia has been created by novels and stories at least as much as it has been described by them. The suburbs aren’t just a place anymore; they’re a state of mind.”

“The Writer’s Union of Canada has done and continues to do great things for the community it serves, but I’m sure its membership would find the idea of a strike laughable. First question: Against whom do we strike? Publishers? Heather Reisman? The Malahat Review? And imagine the fallout if we did — this is what really keeps writers in their place — the resounding yawn we imagine would be the response to our announcement that we’re mad as hell and not going to write novellas about it any more.”

John Updike was cited for “The Early Stories,” a compilation of short fiction from 1953 to 1975. He will receive $15,000.

The American Scholar magazine is a player. “Its witty essays by leading writers on subjects as varied as jigsaw puzzles and diabetes have sparked intellectual discussion, lured fresh talent and earned this quarterly three National Magazine Awards in six years. But a high profile and a healthy circulation of about 28,000 were apparently not enough to safeguard editor Anne Fadiman’s job. Last week a budget deficit for the journal, which costs $1.25 million a year to produce, left Ms. Fadiman and her publisher, the Phi Beta Kappa Society, at loggerheads, with Ms. Fadiman contending that she had been dismissed.”