Authors, Tweeting: Why?

“Many authors have little use for the pretension of hermetic distance and never accepted a historically specific idea of what it means to be a writer. With the digital age come new conceptions of authorship. And for both authors and readers, these changes may be unexpectedly salutary.” Just don’t expect Jeffrey Eugenides to agree.

On Poetry And The Mainstream

Farrar Straus & Giroux president Jonathan Galassi: “Poetry is not mainstream, but then neither is serious fiction, really. But I don’t think there’s a lot to worry about in this particular ‘problem’. Why does art have to be mainstream to be significant? … Poetry has a vital place in society, whether it’s granted one or not.”

Making The Life Of A Modern Bedouin Nomad Into Literature

Miral al-Tahawy was born and raised in a Bedouin village in Egypt, moved (against her family’s wishes) to Cairo and earned a Ph.D., and then came to New York. “The foreigner was the Orientalist,” she says. ‘He was there to watch us. The first time for me to live this role was in Brooklyn Heights. I was the foreigner and I watched them. I was the one doing the ethnography and I was the one drawing them.”

Do We Need To Redefine What It Means To Be “Published”?

“An e-book, I realized, is far different from an old-fashioned printed one. The words in the latter stay put. In the former, the words can keep changing, at the whim of the author or anyone else with access to the source file. The endless malleability of digital writing promises to overturn a whole lot of our assumptions about publishing.”