Books As Apps – Is This The Future?

“Perhaps the most wildly divergent book app I’ve encountered so far is Chopsticks, which is another Penguin book, but one that’s vastly different than their amplified editions. It’s described as a novel, but it’s vastly different than a traditional novel. As you turn the pages, you aren’t confronted with a traditional narrative, but rather interact with different pieces of the lives of Glory, a teen piano player, and the boy who moves in next door. The story’s told through newspaper clippings, pictures, songs, and more. It’s a rather fascinating way to tell a story.”

What You Have To Go Through To Buy A Foreign Book In Argentina

“In Argentina, a new and bizarre piece of red tape means that imported books and magazines are being held at customs at Ezeiza airport, some 25 miles outside of Buenos Aires. Rather than receive their reading material through the letterbox as intended, readers of foreign material currently have to travel to Ezeiza” and pay a set of fees for the privilege of picking them up.

Want To Learn More About Literature? Put Those Earbuds In, And Start Walking

“Billed as an East Village poetry walk, the project, ‘Passing Stranger,’ is a site-specific audio tour that guides listeners through the history of the neighborhood’s interconnected writers and shakers, with interviews, archival recordings and recitations of poems. Narrated by the filmmaker Jim Jarmusch, with music by John Zorn, it is a literary and geographic keepsake, a portrait of a bohemian community that still resounds.”

What Publishers Should, Or Could, Learn From “Pottermore”

The Harry Potter e-books came online this week, and publishers need to take note – and change their ways. “If book publishers could only learn one thing from the Pottermore launch, it should be this: that one of the biggest drivers of piracy is the inability to find or consume the content that a user wants in the format or on the platform or at a time they wish to consume it.”

Where’s The Gender Revolution? Not In Literary Fiction

Meg Wolitzer: “I don’t need to remember anything about signifiers to understand that just like the jumbo, block-lettered masculine typeface, feminine cover illustrations are code. Certain images, whether they summon a kind of Walker Evans poverty nostalgia or offer a glimpse into quilted domesticity, are geared toward women as strongly as an ad for ‘calcium plus D.’ These covers might as well have a hex sign slapped on them, along with the words: ‘Stay away, men! Go read Cormac ­McCarthy instead!'”