Spacey’s Redemption

“It’s three years since Kevin Spacey became artistic director of [London’s] venerable Old Vic Theatre, where John Gielgud and Laurence Olivier cast big shadows… Slammed repeatedly by the critics, roughed up by interviewers in glossy magazines, and condemned by outraged snobs for daring to take time away from the Vic to appear in a Superman movie, Spacey has had [a] bumpy showbiz ride… But this season, Spacey has become a hero, delivering such a moving and richly layered performance as O’Neill’s wasted, drunken womanizer that there is rarely an empty seat these nights at the Old Vic.”

Cold Comfort

Charles Frazier was a complete unknown as an author when he published his debut novel, Cold Mountain, in the mid-1990s. His own hopes for its success weren’t high: “I hoped there’d be 8- or 10,000 people in the South that would enjoy it and that the reviews would be good enough to get me a better teaching job.” Four million copies, a National Book Award, and an Oscar-winning film version later, Frazier just scored a whopping $8m advance for his next novel.

Opera’s Monster Couple

“The world prefers its opera stars to be divine monsters. And opera’s so-called ‘golden couple’, Roberto Alagna and his wife Angela Gheorghiu, have become increasingly willing to oblige. Management are driven mad by the demands of the Burton and Taylor of the operatic world, but they know the duo are a bonanza at the box office. Both sides ramp up the process: the top houses compete furiously for the stars’ services; the stars become ever more outrageous in their behaviour. And so it goes on, until something snaps.”

Vaclav Havel Finally Gets His Awards

Vaclav Havel finally collected the three Obie Awards earned decades ago. “Havel was previously unable to collect his Obie Awards in person because, following the New York opening of The Memorandum, he returned to his home in Prague, where he was almost immediately placed under house arrest by the then Soviet-controlled government of Czechoslovakia.”

The Eccentric Art Maven

Louise McBain has bought a number of art magazines. “Unlike other art-world players, who are at least occasionally spotted in galleries and museums, MacBain rarely goes to see art. She zips into art-world stops like Art Basel and the Venice Biennale on her private jet for press conferences about her new business plans and acquisitions, sometimes making speeches with autocues. As the art-media business loses money, it has become boring to her.”