The 14-Year-Old Music Prodigy: Carnegie, Vienna State Opera, Etc…

“An accomplished pianist and violinist, she is also a composer, having written concertos for piano and violin and an opera. In December, she will make her debut at Carnegie Hall, where she will play the solo violin and piano in her two concertos, while the orchestra will play selections from her opera and her most recent work, a Viennese waltz. Next month, she will record a retrospective album with Sony of piano melodies she composed going back to when she was just 4 years old.” – The New York Times

Bill Wittliff, Screenwriter And ‘Primary Texas Cultural Lightning Rod’, Dead At 79

He’s known to the wider world primarily as the writer of the TV series Lonesome Dove and the films Raggedy Man and The Perfect Storm, and he was a book author and photographer himself, but in his home state he’s revered for the artistic ecosystem he made possible for writers, photographers, and filmmakers. – Austin American-Statesman

Clarence Thomas Claims That Smithsonian Exhibit (Which He Hasn’t Seen) About Him Is Wrong (Which It Is Not)

“Supreme Court Justice Clarence Thomas hasn’t visited the National Museum of African American History and Culture, but he cited one of its exhibits last week to explain how Washington’s rumor mill works.” But, rather than explaining it, Thomas exemplified it. Peggy McGlone reports. – The Washington Post

‘An Overwhelming Sense Of Truth And Beauty’ — Simon Callow On Oliver Sacks

“This is an unusual boy, one who had, as he puts it, an ‘overwhelming sense of Truth and Beauty’ when at the age of ten he saw a periodic table in the Science Museum and became convinced that ‘these were indeed the elemental building blocks of the universe, that the whole universe was here, in microcosm, in South Kensington.’ … And it becomes increasingly clear that Sacks was that boy to the very end of his days.” – The New York Review of Books

Peter Max’s Wife, Embroiled In Battle Over His Care, Art, And Money, Dead In Apparent Suicide

“The death of [Mary] Max, 52, in the home she shared with Mr. Max, 81, comes in the midst of continued infighting in recent years regarding her husband’s legacy. In May, The New York Times wrote about how business associates and his son, Adam, had taken control of Mr. Max’s studio, with the intention of increasing production using assistant artists even though Mr. Max himself had not painted seriously in four years.” – The New York Times