Director Jonathan Demme, 73

Mob wives, CB radio buffs and AIDS victims; Hannibal Lecter, Howard Hughes and Jimmy Carter: Mr. Demme (pronounced DEM-ee) plucked his subjects and stories largely from the stew of contemporary American subcultures and iconography. He created a body of work — including fiction films and documentaries, dramas and comedies, original scripts, adaptations and remakes — that resists easy characterization.

Nostalgia Is Huge Business Right Now. Here’s Why

“The feeling that every advertiser wants to evoke in millennials is nostalgia; that warm, comforting sensation that one experiences when recollecting the past. People usually feel nostalgic for their own past, commonly referred to as autobiographical nostalgia. But oddly enough, they can also feel nostalgia for time periods when they weren’t alive; perhaps their parents played old music to them when they were young, and now, they associate those sensory details with positive memories.”

Kristine Jepson, Mezzo-Soprano, Dead At 54

Among the many roles that won her acclaim at the Met, Covent Garden, and two dozen other international opera houses were the Composer in Ariadne auf Naxos, Octavian in Der Rosenkavalier, Idamante in Mozart’s Idomeneo, and, in contemporary opera, Kitty Oppenheimer in Doctor Atomic and Sister Helen Préjean in Dead Man Walking.

I.M. Pei At 100

“Over the course of his career, the aristocrat of American architects, who turns 100 on April 26, has drawn on a dazzling range of influences, from Chinese gardens to ancient Colorado cliff dwellings to the fountain in a Cairo mosque. He blended the austere modernism of the Bauhaus with opulent Beaux-Arts classicism, technological daredevilry with reverence for precedent and a minute study of the past.”

The ‘Language Warrior’ Who Racks Up Literary Awards

Ngũgĩ wa Thiong’o didn’t think he’d ever become a writer, much less a novelist, short story writer, playwright, and essayist with his work translated into more than 60 languages. Now, he’s fighting for recognition for his native language, Gĩkũyũ. He says, “No language is ever marginal to the community that created it. Languages are like musical instruments. You don’t say, let there be a few global instruments, or let there be only one type of voice all singers can sing.”