What we need are larger communities of musicians who take on a variety of musical tasks throughout their towns, playing early music, new music, movie music, chamber music, whatever is wanted. – Los Angeles Times
Category: music
America’s Hottest Opera Director Heads To Long Beach (For A While)
“Yuval Sharon will serve as Long Beach Opera’s interim artistic director and dream up the 2021 season.” He would seem to be a good fit for a small company known for unusual work. “Any other opera company in America would be completely blindsided by the projects that I’m proposing,” he says, “Every other opera company would turn ghost white at the thought of this kind of season. I think it’ll be great.” – Los Angeles Times
MacArthur ‘Genius’ Tyshawn Sorey Is Opera Philadelphia’s Next Composer-In-Residence
“Although he has never written an opera, his appointment grew out of Cycles of My Being, a set of emotionally complex songs he composed for [tenor Lawrence Brownlee and] Opera Philadelphia exploring the African American male experience.” – The Philadelphia Inquirer
Met Opera’s Credit Is — Not Downgraded, Exactly …
“The Metropolitan Opera has run small deficits for the past two years and faces rising capital expenses — including for the repair of its white travertine exterior — prompting S & P Global Ratings to announce on Wednesday that it was keeping the company’s ‘A’ credit rating but revising its outlook to negative, from stable.” – The New York Times
I Like Traditional Opera. But What Does That Really Mean?
“Over the years I’ve had many opportunities to question people gently about their personal identification and tastes in operas and opera productions. And it turns out that traditionalists don’t like only traditional productions. Whatever it is they like, they just call it traditional, and vice versa.” Irish Times
This Year’s Classical Nominations For Grammys
Andrew Norman’s “Sustain” earned Grammy nominations in two key categories: contemporary classical composition, where composer Norman will square off against Julia Wolfe, Caroline Shaw and Wynton Marsalis, among others; and orchestral performance, where the nomination went to the Los Angeles Philharmonic and conductor Gustavo Dudamel, who performed “Sustain” as part of the orchestra’s landmark centennial season. – Los Angeles Times
After 19-Year-Ban, Opera Returns To Turkmenistan
The country’s first post-Soviet president, the autocratic and eccentric Sapurmurat Niyazov, banned opera in 2001 as “incompatible with Turkmen mentality.” His successor (and former dentist), Gurbanguly Berdymukhamedov, maintained the ban until this week, when Pagliacci was presented as part of a joint Italian-Turkmen cultural festival. – Yahoo! (AFP)
Chicago Brass – What Defines The Chicago Symphony
Whether the Chicago brass would be recognizable in a blind test is open to debate — many of the regional styles that once differentiated orchestras have been sanded over in this age of jet-setting maestros and more peripatetic players — but it is still considered one of the jewels of the orchestral world. – The New York Times
Opera San Antonio Names New General Director And Its First-Ever Music Director
“E. Loren Meeker was announced Friday as the company’s general and artistic director, and Francesco Milioto will become music director. Meeker replaces both Adam Diegel, who departed as artistic director in 2018, and executive director Liz Tullis, who also relinquished her role in 2018. Milioto will be the company’s first music director.” – The Rivard Report (San Antonio)
What Makes A Great American Song?
For all that composers like Jerome Kern hated jazz and pop interpretations of their work — work generally created, after all, for specific scenes and characters in specific musical plays — Rob Kapilow notes that “it is precisely the freedom to take these canonical works — these ‘standards’ — and continually reinterpret them in the multiplicity of musical languages that have evolved over time that has kept the repertoire alive.” – The New York Times
