Vienna State Opera Finally Stages Work Written By A Woman (It Only Took 150 Years)

“I really want to shake up this old-fashioned, beautiful, wonderful place a bit,” says composer Olga Neuwirth, 51, whose adaptation of Virginia Woolf’s Orlando opens on December 8. (The house actually commissioned an opera from Neuwirth back in 2004, only to reject the libretto written by Nobel laureate Elfriede Jelinek.) – The Guardian

Metropolitan Opera Will Keep Peter Gelb Through 2027

“The five-year extension [of his contract as general manager] … will give Mr. Gelb at least a 21-year reign at the opera house, the largest performing arts organization in the United States. The only Met general managers with longer tenures than that have been Giulio Gatti-Casazza (who held the post for 27 years beginning in 1908) and Rudolf Bing (1950-72).” – The New York Times

Kanye West Popped-Up An Opera – So How Was It?

Mark Swed: “Typically, a new opera is a multiyear project, so the very notion of this pop-up one, which seems to have been in the works for a couple of weeks at most, is extraordinary. But if you go back to the 18th and 19th centuries, operas were popular entertainment put on with the regularity and immediacy that television shows are today.” – Los Angeles Times

The Philadelphia Orchestra Is Expanding Its Relationship With China Despite U.S.-China Tensions

There are many, many tensions between the two countries, but “the orchestra’s rock-star status in China offers it unique possibilities for bridge-building. Even youngsters are aware that, in 1973, it was the first Western orchestra to play in the People’s Republic of China. It has made 11 full visits since then, the most recent one in May.” – The Philadelphia Inquirer

The Detailed Sociological Layers Of Musicians In Marching Band

Here’s the deal: “Each section has a reputation based loosely on the personality types drawn to certain instruments and the parts they play on the field. Trumpets generally own the melody, so the section attracts people who want to be the center of attention, at least musically. The perfectionist woodwinds — piccolos, flutes, clarinets and saxophones — are invariably drowned out by the brass section, meaning their dedication to musicianship doesn’t rely on recognition.” And there’s so much more. – The New York Times