Opera Co. Of Philadelphia Launches Dual Composer-In-Residence Program

“Composers in residence aren’t uncommon in symphony orchestras or unknown in opera companies. Yet the shape and form of a two-composer-in-residence program being announced Thursday by the Opera Company of Philadelphia has enough working parts to be what general director David B. Devan calls a ‘landmark investment in the future of opera’.”

The Maestro Mystique (And What It Overlooks)

“[The] mystique surrounding conductors is so strong that it remains tantamount to heresy to suggest that [James] Levine’s conducting, in particular, is ever anything less than breathtaking. … But the conductor retains an ineffable sense of authority, of connection to something greater than mere mortals, in part because what he or she does is so difficult to define, yet so evident in its results.”

The YouTube Symphony’s Techno-Jungle

“Not surprisingly, it was also a multimedia extravaganza. Digital imagery was projected inside and outside the Opera House. Trippy psychedelic colours emblazoned the walls of the Concert Hall during Grainger’s Arrival Platform Humlet, and whirling geometric shapes for the contrapuntal intricacies of Bach’s Toccata for organ, BWV 540.”

The New New York Composers

“Three recent, overlapping festivals offered a portrait of a new New York School, high on amped-up minimalism, percussion-heavy beats, shimmering textures, loops, drones, and washes of electronic color. These composers in their thirties worry less about categories, narrative, and originality than about atmosphere, energy, and sound.”