In Praise Of Ken Russell, Cinema’s Great Imaginer Of Music

“Yes, he could be puerile. He portrayed Liszt as a sex-crazed rock star pursued by a giant penis. … The neurotic, erotic carryings on of his Mahler and Tchaikovsky don’t qualify as proper musicology. But Russell always started with the music — how it made him feel, how it took over his life. Music was, for him, the key to our inner lives.”

Tweeting The Symphony

The challenge, Will White said, was to find something inter­esting to say about the music in 140 characters or less — such as, “This is where the chosen maiden is forced to dance to her death” and “Point of this piece: don’t mess with the Russians or they’ll write music about beating you.”

The Only Functional Institution In Rome? The Santa Cecilia Orchestra

“To say that this orchestra is resurgent is to understate things. With fine reviews and prizes falling into their laps at almost every turn” under popular music director Antonio Pappano (who holds the same position at London’s Royal Opera), “Italy’s premiere orchestra is more highly regarded that at any time in its history.”