The Internet Is For Killing Your Sense Of Obscure Music Knowledge

“Obscure knowledge was once a kind of currency. To get it, you had to be in the loop. You had to know the right people to learn about the right bands. You had to know the right record stores to hear those bands. The right record stores, like the right comic and book and video stores, were manned by knowledge guardians who scared the bejeezus out of us, so the act of going in to these stores felt kind of intrepid.”

No More Performing, But Plenty Of Entertaining: A Q&A With Thomas Quasthoff

The baritone singer has retired from performing, but that doesn’t mean he’s lost what even he calls his big mouth. “Believing in God? Well, you know, too many bad things happen in the world for that to be possible. I believe that man is a faulty design. Human beings have truly misunderstood that sentence in the Bible, the one about man subduing the world. But I do believe in art.”

Opera Company Of Philadelphia Is Reinventing Itself

“In a recently approved plan covering 2012 to 2015, the company aims for more performances in varied sites, bigger names on stage, international coproductions with other companies, and a deeper reach into the city and its neighborhoods.” Says general director David Devan, “Going forward, we’re thinking about product lines rather than single operas.”

Electronic Dance Music Success Attracting Investment

“Having developed on the margins, electronic dance music — high-energy waves of mechanized sound that, at its best, creates a communal experience for a sea of strangers — is dominated by a network of independent promoters. Their success has attracted a clutch of potential investors from inside and outside the music world. The insiders include Live Nation and A.E.G. Live, the two biggest corporate promoters.”

Top UK Composers Blast New-Music Organization

The letter accuses the organisation – which is tasked with promoting new music and which was formed in 2008 following the merger of the British Music Information Centre, the Contemporary Music Network, Sonic Arts Network and the Society for Promotion of New Music – of alienating “virtually the entire contemporary music sector”. It calls for the “reinstatement of the core functions of the founder organisations without delay”.