“Martha Gilmer’s role has been large. In addition to working with the music directors, their ideas and complex personalities and overseeing all programming, she worked with and enlisted guest conductors and guest artists and created new ongoing programs to move the organization into the 21st century.”
Category: music
Newport Jazz At 60 – Grandad To The Modern Festival
“For the past 60 years, no institution has done more to help establish jazz as a legitimate art form than Newport and the notion of the jazz festival that Mr. Wein created. Where jazz once rubbed shoulders with pop stars like Frank Sinatra, it now competes for government and corporate funding with opera and chamber music.”
Why The Vienna Philharmonic Sounds Different From Other Orchestras
“The “Vienna sound” has been the subject of reams of music criticism, academic research, acoustical experiments and more than a little debate. Not everyone agrees on precisely what it is — it is sometimes described as plush, warm and rich or sumptuous — but many listeners say that they know it when they hear it.”
Met Opera Proposes Federal Mediator For Last-Minute Labor Talks
“With time running out before a lockout of its workers threatened for later this week, the Metropolitan Opera proposed on Wednesday that federal mediators be brought in at the 11th hour to facilitate negotiations with several of the company’s unions. But it was unclear if the unions would agree to a mediator, or if there was enough time left to forge a deal.” (includes video)
Rome’s Opera House Avoids Liquidation (For Now) With Labor Deal
“A tentative agreement has been reached between management and unions representing the staff of Rome’s Opera House, following recent strikes over the theatre’s restructuring and salvage plan. The threat of liquidation which had been hanging over the Opera House has been averted, pending an upcoming referendum by unions on the terms of the restructuring programme.”
The Met Opera: Caught Between Competing Realities
“Whether our current opera house model will survive will depend, I believe, on how successfully opera houses attract new artists to create work that speaks as eloquently to the traditions as to present-day audiences.” It’s an open question, however, whether the Met can do so. It certainly cannot while the stage door is padlocked.”
UK Reverses Ban On Guitars In Prisons
“A ban on steel-string guitars in prison cells in England and Wales has been reversed after a campaign by rock stars including Billy Bragg and Johnny Marr. Prisoners had been unable to play the instruments outside supervised sessions since rules were changed last November.”
Rochester Philharmonic Names New Music Director
Ward Stare, who played in the Rochester Youth Philharmonic as a youngster and spent four years as the St. Louis Symphony’s resident conductor, takes over this fall “after the turbulent tenure of … Arild Remmereit, who was terminated mid-season in 2012 after two years into his four-year contract.”
A Live Opera Webcast Via Google Glass – From, Of All Places, Sardinia
“On Wednesday, selected singers, orchestra members and various technicians” at Cagliari’s Teatro Lirico (a high-tech hotbed, in fact) will perform Puccini’s Turandot “wearing Google Glass to transmit the opera live from their individual points of view to audiences online. … Live links through the opera’s website, Facebook, and other social media will allow at-home opera aficionados to enjoy – and interact with – the company.”
Why Are Sopranos So Hard To Understand? (We Mean The Words They Sing, Not Their Psyches)
It’s just plain physics (with some physiology thrown in), argues Lauren Ackerman.
