Report: Music Streaming Is Diminishing Our Engagement With Music (And Musicians)

“Total listening volumes are up but the depth of engagement with the majority of those listeners is low. So choice abundance is leading to casual fan relationships. This wide rather than deep approach is great value for music fans and for labels and publishers it translates into revenue diversified across their rosters, often with strong focus on more profitable back catalogue. But for an artist this means more people listening to your music but fewer times. Artist – fan relationships are moving from long term liaison to short term flings.”

In The Age Of Curators New Music Could Use Some Curation

“While, historically, the curator was the person at a museum in charge of caring for that museum’s collection of artwork, this has only been a partial description of part of the profession for some time. Now, art curators are often at the forefront of enabling creative innovation and audience interaction. In the world of new music, on the other hand, curating is mostly a word we’ve usurped for use in funding applications and marketing materials.”

Are We Tuning Our Musical Instruments Wrong? (At The Risk Of Being Inflammatory, Blame The Nazis)

“Musicians don’t agree on much, but they tend to concur that the note A in the middle of the treble staff should be tuned to 440 Hz. The International Standards Organization even issued guidelines to this effect back in the ’50s. But the conspiracy theorists will tell you that this pernicious tuning was promoted by the Nazis—Joseph Goebbels, chief propagandist for the Third Reich, imposed the 440 Hz tuning as part of a heinous plan to warp the consciousness of the masses.”