San Francisco Opera Names A New General Director

Matthew Shilvock, “educated at Oxford (music) and Amherst (arts administration), came from Houston Grand Opera with Gockley in 2005, and has acted as a senior executive in all aspects of company operations, production, financial stability, and strategic development. He has had a prominent role in labor relations, negotiating with AFM and AGMA unions, with responsibility for contract maintenance.”

A Rite Of Freakin’ Spring Grows In Brooklyn

As the asymmetrical groove of the “Ritual of the Rival Tribes” chugged into motion, men in their 20s and 30s began to bob their heads. Soon, movements grew more demonstrative (aided by a couple of professionals planted in the crowd). In the amorphous sections of “The Sacrifice” a few couples gamely tried to slow dance. The violent “Glorification of the Chosen One” briefly spawned a hardcore-style mosh pit in the increasingly steamy hall.

‘Yellowface’ Concerns Lead New York Gilbert And Sullivan Players To Cancel ‘Mikado’

“The Mikado poses special problems: it has some of the most beautiful music and wittiest lyrics of any Gilbert and Sullivan work, but its use of a fictional Japanese setting to satirize British culture presents staging challenges if it is not to come off as a jumble of ugly caricatures and stereotypes. A production last year in Seattle was criticized as ‘yellowface’ by a columnist in The Seattle Times, setting off a wide-ranging discussion of the work.”

Avery Fisher Hall Becomes David Geffen Hall – 61 Times

“The letters that spell ‘Avery Fisher Hall’ and ‘Home of the New York Philharmonic’ over the box office windows had already been taken down last week, and some carefully coordinated lobby remodeling was going on. The brass replacement letters were downstairs on a conference table — the 8 3/4-inch capital letters in ‘David Geffen Hall’ are taller than the capitals in ‘Home of the New York Philharmonic’ by 4 3/8 inches.”

Marin Alsop To Step Down From Cabrillo Festival

“Alsop first came to the Cabrillo Festival in the summer of 1992, following in the job famed composer John Adams who served on an interim basis for one year after the 17-year stint of Dennis Russell Davies. In her time at Cabrillo, the festival has become one of the most high-profile summer new music festivals in the world. She has brought a couple of generations of composers, musicians and conductors into Santa Cruz every summer that would have been her otherwise.”