What’s Wrong With The Music Business: 178 Million Streams For “All About The Bass” Earned What???

“That was the real issue for us, like 1 million streams equals $90. For a song like ‘All About That Bass,’ that I wrote, which had 178 million streams. I mean $5,679? That’s my share. That’s as big a song as a songwriter can have in their career and No. 1 in 78 countries. But you’re making $5,600. How do you feed your family?”

The Kinshasa Symphony Is Gaining Fans Around The World, But Back In The Congo, They All Still Have Day Jobs

“The largest – and until recently, only – orchestra in Central Africa has played on three continents, to standing ovations, and graced some of the philharmonic world’s most prestigious stages in recent years. But at home, it remains a modest affair. The first trumpeter still spends his days working construction sites. The double bass player is a nurse, and the tubist a pharmacist. One violinist, who is also the repairman tasked with mending instruments warped by the Congolese humidity, runs a small shop across the street, selling eggs and toothpaste.”

Why Germany’s Best Conductor Can’t Seem To Go Anywhere

“The most gifted German conductor for half a century is a hero in his own country and a shadow abroad. He has no artistic relationships beyond the German-speaking Heimatland and he is very seldom seen in London, Paris or New York. If Christian Thielemann is an important conductor, and he certainly is, the world ought to be hammering at his door. It isn’t. And therein lies a tale.”

Ten Years After Katrina, Louisiana Philharmonic Finally Gets Its Hall Back

“After ten years of post-Katrina concerts in other venues, the Louisiana Philharmonic Orchestra returns to the Orpheum Theater in New Orleans’ Central Business District to open its 2015-16 concert season. Farrar Hudkins talks with Mary von Kurnatowski, one of the Orpheum’s new owners, and longtime LPO musicians Patti Adams and Jim Atwood, to give us the story of this historic homecoming.” (audio)