The Democratic Principles Of Conductorless Orchestras (And What They Can Teach Us)

Firstly, the principle that anyone can influence artistic direction remains paramount. “We must have all our players ready and willing to speak up, to stop the orchestra, to argue for their ideas,” Thulson says. “Even if they’re in what’s traditionally a non-leadership seat. If the presumption is that high voices get to lead, we have to treat that as a fragile presumption . . . We can’t let traditions make us boorish or lazy.”

Musician Payments For Streaming Are A Mess. So Apple Has A Plan (But…)

“Apple recently made a proposal that could fundamentally transform the way streaming services pay songwriters and music publishers. As part of a government rate-setting process known as the Copyright Royalty Board tribunal (CRB), Apple recommended that services pay a fixed penny rate per stream. This structure is a major departure from the way streaming services have traditionally paid royalties. Moving to a penny rate would be a tremendous step toward transparency in music publishing. But be careful of the fine print.”

What Are The Most Popular Songs Right Now? It’s Increasingly Difficult To Tell

Stream, steal, or buy: Those are your choices. The premium streaming services represent just one batch of countless channels by which consumers can hear music. And so Billboard now bears the complex task of incorporating traffic from an ever-widening variety of platforms — YouTube, Vevo, Spotify, Apple Music, Tidal, Pandora, Vine, Twitter, etc. — into a standardized accounting that ranks all these songs together.

Warning: This Mozart Opera Is So Extreme And Shocking That We’ll Let You Turn Your Tickets In For A Refund In Advance

“Graphic depictions of violence, racist abuse and sexual assault are all expected to feature in a hard-hitting new production of Mozart’s Così fan tutte. But the [Edinburgh International Festival] failed to fully warn buyers when the tickets went on sale on April because it had not seen the three-and-a-half-hour opera, which will be performed at the Festival Theatre at the end of August.”

New CEO At Chamber Orchestra Of Philadelphia

“The Chamber Orchestra of Philadelphia has hired a rock/jazz guitarist and administrator from New York’s Orchestra of St. Luke’s to be its next executive director. William Rhoads, 49, vice president of marketing and communications for the Orchestra of St. Luke’s since 2006, starts the new post just after Labor Day.”