Tunisia’s Religious Jazz, And The Dangers It Faces After The Revolution

“Stambeli, a uniquely Tunisian hybrid of musical genre, healing practice, and religious ceremony, [is] deeply rooted in the history of a specific community: the descendants of slaves brought to the region from sub-Saharan Africa during the eighteenth and nineteenth centuries. It also has close links to Sufism.” But the changes in the country since the Arab Spring (notably the Saudi-funded spread of Salafism) are combining with older ethnic prejudices to put a lot of pressure on stambeli‘s remaining practitioners.

The Chinese City With A Hundred-Year History Of Western Classical Music, Brought By Russian Jews

“The arts – and especially classical music – flourished here throughout the early 20th century. Nicknamed the St. Petersburg of the East, Harbin was home to a thriving Jewish community that helped build a rich cultural scene, including China’s first symphony orchestra, [founded in 1908 and] made up of mostly Russian musicians.”

More And More Orchestras Are Exploring Virtual Reality

“At least a half-dozen professional orchestras have created 360-degree films for use with VR headsets, among them, the Los Angeles Philharmonic, London Symphony Orchestra and Toronto Symphony Orchestra. Most aim to replicate a concert hall experience, whether on stage – so the viewer can hover over a violin section or an oboe soloist – or in the audience, where the 360-degree view also includes rows of empty seats.”

What’s A Harpsichord For? It’s For Proving Us Wrong, Says Its Newest Star Player

“Think the harpsichord is an inherently limited instrument, too quiet, too inexpressive, too inferior to a modern piano? That, [Mahan Esfahani] argues, implies asking the wrong question to begin with. Think a harpsichordist must naturally align with an early-music movement that awakened so much interest in his instrument? Wrong. … Think that the harpsichord is exclusively an instrument for the music of centuries past? Wrong.”

Has Los Angeles Become A Hotbed Of Contemporary Music?

“A grassroots new music community (or as ‘grassroots’ as anything which is tied to higher education can be) is in a true dialogue with the larger artistic culture, and the promise of the LA Philharmonic to make Los Angeles a contemporary musical destination seems to have finally taken root. An LA aesthetic has emerged, and I can’t help but notice a bit of pioneering Wild West in the raucous brew.”