Is This European Tour The Final Step In Getting The Minnesota Orchestra Back To Full Health?

“With stops in Finland, Edinburgh, Amsterdam and Copenhagen, the tour could be called ‘the last first’ in the orchestra’s reboot. There was the first concert back, the first full season, the first recording session, the just-released first album from those sessions. Then there was the historic trip to Cuba — the first by a major U.S. orchestra since relations thawed.”

How Iván Fischer Became A Great (And Unconventional) Conductor

“The so-called great orchestras – the old, great orchestras – like to preserve certain musical values such as their sound. They think: ‘This is us, this is our trademark.’ Now a conductor comes and he has limited influence on the so-called great orchestra. So they attract conductors who love to wave their hands while not changing anything. Sometimes when you go to famous orchestras, you feel as if you are working with a prima donna singer who has her sound, and your only role is to be impressed by it. I would much rather go to an orchestra that is receptive to my ideas because I can then create something.”

Two Years After Life-Threatening Crisis, Atlanta Symphony Reports Budget Surplus

“The ASO announced yesterday that it closed the 2015-16 fiscal year with a budget surplus for the second straight year. ASO spokeswoman Tammy Hawk said the final budget numbers won’t be released until a final audit is complete. In addition, the Atlanta Symphony Orchestra Musicians’ Endowment Fund has raised over $20 million and is expected to reach its $25 million goal this year.”

Why Do Some Composers Want To Write Music To Drive Us Crazy?

“Satie knew that the prospect of performing this composition was so daunting, he wrote a note above the score that said one should “prepare oneself beforehand, in the deepest silence, by serious immobilities. It’s as if he knew he had devised an art piece that is a cudgel to lay up against the side of the listeners’ heads with a force and fervor they can’t deserve.”

Who’s Really Buying Vinyl Records? Old Lonely People, Mostly

“Those who have recently purchased a vinyl album are most likely to be aged between 45 and 54, apparently. In fact, those in the 18-24 age group are the least likely. It is not just an act of hoarding by hobbyists, either – it has emotional significance: older vinyl buyers are slightly more likely to keep their feelings to themselves (56% of vinyl buyers versus 53% of all UK adults) and enjoy being alone (69% of vinyl buyers versus 66% all UK adults).”