THE END OF CIVILIZATION AS WE KNOW IT

Last week La Scala announced it will produce Andrew Lloyd Webber’s musical “Phantom of the Opera”. “It is not so many decades since Arturo Toscanini’s decision to perform the works of Wagner at this temple of Italian opera was met with consternation. Even today, there is a faction of the Scala audience still sniffy about that Austrian interloper Mozart. Many opera lovers want La Scala to be faithful only to its great Italian traditions.” – The Age (Melbourne) (The Guardian)

COURTING A MAESTRO

Later this week a delegation from the New York Philharmonic heads to Milan to try to talk conductor Riccardo Muti into signing up to run their orchestra. Says Muti: It is a love affair,” he said, in his trademark style: equal part arrogance, equal part charm. “But it is not yet a marriage.” And besides, the charms of La Scala and his current job aren’t easily overlooked. – Sydney Morning Herald

THE INSTITUTIONALIZATION OF JAZZ

New York’s Lincoln Center announces it will build what it says will be  the first concert hall built specifically for jazz. It’s “a 100,000-square-foot complex at Columbus Circle with two auditoriums, a club-size jazz cafe, two rehearsal studios and a classroom, all wired for recording, broadcast and Webcast. – New York Times

TEST DRIVING A CONCERT HALL

On tour in Europe, the Philadelphia Orchestra stops for a concert in Birmingham England’s acclaimed concert hall. The hall was designed by the same architect who is designing the Philadelphia’s new home. The verdict? “For many, the concert had been tough. The strings could hear neither in front nor in back of themselves. ‘The rehearsal was frightening. Ensemblewise, we were all over the place. It feels like you’re walking on eggshells.’ ” – Philadelphia Inquirer