Cardiff “Ring” Sells Out In Four Hours

Tickets for the Kirov Opera’s production of Wagner’s Ring in Cardiff, Wales, went fast. “Cardiff Fans from across the world have bought seats costing as much as £750 for the performance by Russia’s Mariinsky Theatre – formerly the Kirov Opera. The shows in December will be their only planned UK performance. Tickets have gone to fans as far away as Russia itself, as well as the USA, the Middle East and France.”

Conducting In The Highest City On Earth (And Dodging Dynamite)

David Handel has been rebuilding the Bolivian national Orchestra. He has “increased the number of performances to 50 a year from 12, recorded the group for the first time, enlarged the symphony to 65 musicians from 40, raised salaries and increased the yearly budget to $1 million from $100,000. He also has lowered ticket prices for students and raised the number of season ticket holders to 1,000 from none. Finally, he found the group its first-ever home in a one-time vaudeville theater and has taken the symphony to locales where it never had performed.” Now if only the bombs would stop going off outside the concert hall…

Aix – A Global Opera Hub?

The new director of France’s Aix-en-Provence opera festival says he’d like the festival to become an international hub for opera. “I would like the Aix festival to be a global opera hub. Festivals have helped the world of opera evolve, and they must reach beyond the place where they are held.”

Louisiana Phil Back In New Orleans

The Louisiana Philharmonic has resumed playing in its homeown. “The orchestra has started a 12-week spring season that was planned long before Hurricane Katrina hit and scattered the players everywhere. Members have since played with 61 different orchestras. The musicians [have gone] to great lengths to maintain the programs planned before the hurricane.”

Are Lawyers Killing Musicians’ Creativity?

“Digital technology now makes it very easy for one musician to copy and modify some appealing element from another musician’s recording. Now lawyers hover over new records, listening for any legally actionable borrowing. Such cases are usually settled out of court — for undisclosed, but often enormous, sums. More interesting than the legal-sideshow aspect, I think, is the question of how artists deal with the situation. Imitation, allusion, parody, borrowing stray bits of melody or texture — all of this is fundamental to creativity. The line between mimicry and transformation is not absolute.”

Orchestras Discover The Internet (Finally!)

Want to download that orchestra concert you heard last week? Soon you may be able to. “Negotiations are under way with orchestras in London, Paris and three German cities. The current intention is for each orchestra to offer, on average, four concerts a season for digital downloading, and one of the four would also be released on CD. The project reflects a seismic shift in the way music is being discovered, distributed and heard.”