Nashville Symphony Concertmaster Wins Her Job Back

The Nashville Symphony has been hitting many high notes recently. But one little bit of dissonance: “Mary Kathryn Vanosdale, the NSO’s longtime concertmaster, was forced to sit out the 2006-07 season because of an internal dispute.” But she “recently prevailed in a private arbitration case, and so she will reassume her old post as head of the first violin section starting in September.” So what was the beef? The musicians are speculating…

English National Opera’s Virtual Backstage

ENO is opening the virtual curtain on its new production of “Carmen”. “ENO Interactive will host video footage of the auditions and rehearsals, along with production diaries, interviews and downloads of songs from the show. Users can ask questions and write reviews, and the site will collate related content from around the web. ENO hopes the site will engage people who do not usually go to the opera.”

A Redo Of Denver’s Concert Hall

Denver’s missing cultural piece is a thorough overhaul of the Colorado Symphony’s home. “The overhaul of Boettcher, which is part of the Denver Performing Arts Complex, would address three main deficiencies: inadequate public spaces, inferior backstage amenities and troubled acoustics. It would include the addition of a wraparound, multistory glass lobby on the building’s Speer Boulevard side and a reconfiguration of the facility’s 2,634 seats.”

Wagners Battle For Succession At Bayreuth

“A real-life drama of succession as riveting as any Richard Wagner opera is casting a shadow over this year’s Bayreuth Festival, raising the anticipation level among devotees of the German master even before the first curtain rises Wednesday at the musical shrine he inaugurated 131 years ago. No matter what the outcome, chances are good that whoever heads the famous German festival — a traditional battleground for Wagner clan members vying for influence — will be part of the family for some time to come. But which Wagner will it be?”

Debussy Does Debussy — But Is His The Last Word?

“Debussy left behind piano music in the form of black marks printed on a page. He also left behind a little of himself: piano rolls of Debussy playing Debussy. So elegantly conceived is the first part of this legacy that we sometimes wish the second part did not exist. The scores imply a ‘this is it’ permanence. The composer’s playing of them (now on a CD from the Pierian Recording Society) could just as well be the impulse of a moment.”