Next Head Of Paris Opera Will Be Canadian Opera Company’s Alexander Neef: Report

According to the French newspaper Le Figaro, Neef, who was director of casting at the Paris Opera before becoming General Director of COC in 2008, will succeed Stéphane Lissner as General Director in Paris in 2022. Neef’s contract in Toronto currently runs to 2026, and last fall he took on the job of artistic director of the summer-only Santa Fe Opera. – Ludwig van Toronto

Maverick Conductor Teodor Currentzis Stomps Away From His Russian Home Base

The Greek-born maestro, a naturalized Russian citizen, has been getting plenty of love-it-or-hate-it attention for recordings (particularly of Mozart operas) with his period-orchestra-and-chorus MusicAeterna. Since 2011, he and his ensemble have been in residence at the State Opera and Ballet in the Urals city of Perm. Now they’re leaving, with Currentzis complaining of lack of understanding and interference from local and regional politicians: “Without their complete lack of understanding, the absence of all reverence and sensitivity, I would never have summoned the strength to make the decision to abandon my heavenly kingdom [at the opera house].” (in German; Google Translate version here) – Musik Heute (Germany)

Problem In Music: Even Taylor Swift Doesn’t Own Her Own Work

Not only has her former label not let the singer buy back her own masters, but Scooter Braun, a powerful music mogul whom Swift calls a manipulative bully, has bought the entire label (likely sold to him specifically because Swift wouldn’t re-sign with her former label). It’s a nightmare scenario for many singers and singer-songwriters. “‘This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept,’ Swift wrote on Sunday.” – The New York Times

Sixty UK Music Institutions Promise Gender Parity By 2022

More than 60 organisations, including some of the UK’s highest-funded companies and prominent performing arts conservatoires, have promised to take positive action towards equality. The Keychange project is the brainchild of charitable funding body the PRS Foundation. It was launched in 2018, when 180 music festivals committed to programming gender-balanced line-ups by 2022. – The Stage