The Prize Goes To Chicago

“In a classical music world of diminishing grandeur, the orchestra has hired one of the last lions of podium glamour, Riccardo Muti, as its music director and in so doing is lending a sheen to the city’s cultural profile. At the same time Mr. Muti’s embrace of a cold city on Lake Michigan — which he diplomatically likens to the Mediterranean waters off his native Italy — dampened spirits at the New York Philharmonic, which failed to lure him at least once and, by some accounts, including his own, possibly twice.”

What Muti Means To Chicago

“Landing him is a tremendous coup for Chicago, which has been without a music director since Daniel Barenboim’s departure in 2006–especially since Muti had already turned down an offer from the New York Philharmonic in 2000. He will become the orchestra’s 10th music director, effective with the 2010-11 season.”

Riccardo Muti’s Chicago Dreams

“At this point in my life, I don’t have to make a career. I don’t have to prove to anyone ‘Who is Muti,'” the conductor, who twice turned down offers in the last decade to become music director of the New York Philharmonic, said. “But I want both to devote myself to making music with the Chicago Symphony and to bringing music to the many communities of Chicago and to new generations. This is our future.”

Enough With Bashing Von Karajan

“So Herbert von Karajan glorified tradition with his Salzburg Festival, promoted favorite musicians (violinist Anne-Sophie Mutter and clarinetist Sabine Meyer come to mind) and amassed extraordinary wealth (not just millions, but hundreds of millions of dollars). He had his flaws, plenty of them. Listen to either of those Bruckner Eighths, though, and you’ll forgive the shortcomings in favor of astonishing art, undiminished by time.”