Yeah, Because We Need More Of Those

Columnist Joel Stein is on a quest to become the world’s most insufferable old man, so it’s only natural that he would seek to learn how to become a proper classical music snob. To achieve his goal, he seeks out a bass player in the LA Phil, and gets a few tips on how to morph into the sort of jerk who glares at people applauding between movements.

The Illusion Of Andre

Violinist Andre Rieu has made millions from his televised concerts featuring him smiling and swaying and sawing through Strauss waltzes with panache. But is he actually a good musician? “He rarely plays anything that is technically beyond the reach of a talented 10-year-old, so it’s hard to say exactly how good a violinist he is… But you don’t have to be in the music business for long to realise that talent and success don’t always go together.”

The Instrument You Play Just By Being There

The theremin might be the world’s oddest musical instrument, generating spooky sounds from an electromagnetic field into which the performer inserts him/herself. “Whatever you do in that field with your body affects the sound, so in order to be precise you must try to move just, say, your hand, nothing else. Even the swelling of your chest as you breathe can make the notes glide up and down.”

Ono In Copyright Fight Over Lennon

Yoko Ono is battling in court to prevent a filmmaker whose documentary challenges the theory of evolution from using John Lennon’s song, Imagine, in the soundtrack. “The filmmakers acknowledge they did not ask Ono for permission to use 15 to 20 seconds of the song. But they argue they are protected by the ‘fair use’ doctrine.”

Banging Heads In Baghdad

“Around 2000, a group of Iraqi school friends weaned on bootleg Metallica and Slayer tapes formed their own metal band with an imposing name, Acrassicauda (derived from the name of a species of black scorpion), and an appropriately do-or-die attitude.” Now, a feature documentary is giving the post-war incarnation of the band newfound fame.

Remembering How To Improvise

Improvisation was once a regular part of classical music. But in the 20th Century improvising disappeared from the concert stage. Now “a new generation of composers and performers is rediscovering it as a central part of the creative process — and, quite possibly, as a remedy for the shrinking of classical-music audiences.”