Pierre Boulez Curates Art Exhibition At Louvre

“[T]he art show titled ‘Work:Fragment’ gathers 70 works by artists such as Ingres, Cézanne, Degas, Delacroix, Kandinsky, Klee, Giacometti and Picasso alongside scores from Wagner, Bartók and Varèse and works by writers from the 19th and 20th centuries.” The program, the first at the Louvre ever to be curated by a musician, also includes 11 live and six filmed concerts.

Michael Kaiser To The Rescue Once Again

Faced with money troubles, a nearly dark season and the departure of artistic director-designate Gérard Mortier, New York City Opera is turning for help to “the performing arts world’s Mr. Fix-It,” Kennedy Center CEO Michael Kaiser, who has famously presided over turnarounds at Covent Garden and American Ballet Theater and helped steady Miami’s teetering Adrienne Arsht Center.

If Tiger Woods Can Hawk Sportswear, Why Not Lenny Kravitz?

“A decade or two ago, rock stars teaming up with a nationwide department store chain to hawk back-to-school clothing would have raised more than a few critical eyebrows and accusations of ‘selling out’.” But this year, the Kohl’s chain is doing just that – “unveiling several brand-new apparel lines inspired – and pitched – by famous musicians, including Lenny Kravitz, Avril Lavigne and Vanessa Carlton.”

Bassoons And Beer (It Works!)

The Orchestra of the Age of Enlightenment’s “Night Shift” concerts are pulling in that much-sought-after younger audience. “It’s been running for a couple of years, and the idea is simple: after a full-scale concert, the OAE players and their conductor for the evening perform an hour-long concert for a more relaxed clientele (who, mercifully at 10pm on a Friday night, were allowed to bring a drink into the auditorium).”

Autopsying NY City Opera’s Mortier Mess

“In the end, the whole affair was a remarkable act of hubris. To summarily jettison an opera company’s history, completely alter its artistic and audience profile, and redesign its funding structure without having identified sources of capital beforehand seems like an exercise in wishful thinking and a highly irresponsible act. City Opera is an essential public institution with a valuable history; boards are supposed to take that trust seriously, but this one was blinded by a shiny new toy.”