Is New Music Really Liberated?

These days composers have the freedom to work in any musical language they want. But is this really freedom? “Is the progress from a common practice to a diverse one truly progress, when it compels us to choose between a reactionary, audience-friendly idiom, an exclusionary avant-garde, or a sober modernism or ironic postmodernism that hovers between these two extremes?”

Rosenberg Details Claims Against Cleveland Orchestra and Newspaper

Cleveland Plain Dealer critic Donald Rosenberg has detailed some of the allegations in his lawsuit against the paper and the Cleveland Orchestra. He says he was exiled “to a tiny room to write his deadline reviews after being falsely accused of having gone through the public relations director’s papers… barred from rehearsals, backstage, tour parties, the players’ bus and interviewing the conductor.” (The orchestra’s attorney has some strong words of his own.)

Flimm To Leave Salzburg Festival After 2011

Jürgen Flimm, artistic director of the Salzburg Festival, “told a meeting of the supervisory board on Tuesday that ‘he will no longer be available for further talks after 2011,’… Flimm’s decision to throw in the towel came after a bitter dispute with the festival’s drama chief, Thomas Oberender, over the standing of spoken theatre within the month-long festival of music, opera and theatre.”

Economics vs. Community

The Louisville Orchestra has canceled its annual Martin Luther King Day concert to save money, and the decision is rubbing some the wrong way. “Do we really have to give up music, too? Do we really have to scrimp on saluting our heroes? He gave his life. Couldn’t this one be on the house?”