Lyric Opera Of Chicago, Ever Conservative, Weathers Downturn In Good Shape

The company has had to make no changes in its schedule for this season or next, thanks to “built-in buffers against any further economic weakening.” General director William Mason, “who has been criticized for putting on ultrasafe, conservative opera seasons that avoid adventurous initiatives, may be excused for having the last laugh.”

A Soviet-Style Orchestral Commune

Apply Marxist-Leninist principles to an orchestra, with the workers owning the means of production, and what do you get? This: “Formed in 1922, Persimfans – a Sovietized shorthand for Perviy Simfonichesky Ansambl, or First Symphony Ensemble – sought to embody the avant-garde spirit of the time.” The original group didn’t survive Stalin’s purges, but this week some musicians are trying out the idea again.

Layoffs Hit L.A. Opera

“The company said today that it had laid off 17 employees, or approximately 17% of its staff. It has also mandated a pay cut for all employees, averaging 6% but with higher-paid staffers taking an 8% cut.” The stagehands’ and orchestra musicians’ unions will be asked to help find savings as well.

Jaroussky, Prégardien Win At MIDEM Classical Awards

Tenor Christoph Prégardien tool Best Vocal Recital and Recording of the Year for his Schubert Schöne Müllerin, while countertenor Philippe Jaroussky, already named Vocal Artist of the Year, took Best Baroque Recording for Carestini: The Story of a Castrato. Among other winners were Doctor Atomic, Charles Mackerras, La Venexiana, Kaija Saariaho, Christoph Eschenbach and The Sixteen.