Concert Biz Had A Good 2008 (But Will It Continue?)

“The good news is that the concert industry really didn’t have that bad of a year in 2008 even as economic conditions worsened. Overall, revenue was up 7.8 percent to $4.2 billion, though ticket sales dropped 3 percent. The revenue was sustained by record-high ticket prices: an average of nearly $67 a ticket for the 100 top-grossing shows. Overall, ticket prices have more than doubled in the last decade.”

Do Opera’s Young-Artist Programs Create Real Stars?

“Although the apprenticeship programs were developed to keep talent from fleeing the country, they have also helped create an increasingly closed circle in the opera world. In effect, entries on a résumé can come to be as important as that elusive, unteachable quantity: artistic excellence. And some critics believe the programs have produced a rather bland crop of performers.”

Cleveland Music Critic Amends Lawsuit Against Newspaper

Classical music critic Donald Rosenberg is suing The Plain Dealer after he was taken off the Cleveland Orchestra beat. “The amended complaint eliminates claims that the newspaper defamed him, breached public policy and broke promises he had relied on. Instead, his only remaining claim is that his reassignment to cover arts and entertainment, as well as dance performances, was an act of age discrimination.”

Israel’s Sephardic-Moroccan Orchestra Fires Its Musicians And Closes

The Andalusian Orchestra, a 2006 Israel Prize winner, preserves and renews the art music of the Sephardim of Morocco. Well, it did: After months of fruitless negotiations for an increase in their very low pay, the musicians went on strike a few days ago. Then they found out – from the media – that management had disbanded the orchestra in response.

Testing Alice Tully, Musicians Find Sweet Sound

“With giddiness and glee, musicians tested the acoustics of the newly renovated Alice Tully Hall on Tuesday, less than a month before it reopens after a $159 million, 22-month upgrade, a major milestone in Lincoln Center’s $1.2 billion remaking. … The musicians, acoustical experts and Lincoln Center officials in attendance all proclaimed the hall much more present, alive and reverberant than the old Tully, which had been widely faulted for its dry sound.”