‘Sweetness With A Knife Behind It’ – The Inimitable Blossom Dearie

“[Her] voice, girly, breathless, tentative, is her own twice. No one else would dare try to sing with it the way she did. It’s tempting to say her voice is a cross between Betty Boop’s and … whose? One writer said Chet Baker’s, which is perfect. She was cute, femme cotton candy drizzled with a contradictory syrup of opium and Bleecker Street espresso.”

At Last – A Real Top Classical Music Chart

The Official Charts Company has finally created a hit parade of “purely classical” music. I know, I know, it’s a wishy-washy definition – when has classical music ever been “purely” anything? But at least it’s better than the sham that is the current chart, which is coyly called “combined classical”, for which any album can qualify so long as it contains 60% classical music in its makeup.

How Lip-Syncing Is Killing Live Performance

“No longer is a good or even a great performance good enough. Now we must have performances free from the “slightest glitch.” And since no one — not even a singer of Ms. Hudson’s manifest talent nor a violinist of Mr. Perlman’s virtuosity — can guarantee that a live performance will be 100% glitch-free, the solution has been to eliminate the live part. Once, synching to a recorded track was the refuge of the mediocre and inept; now it’s a practice taken up by even the best artists.”